Archive for the ‘kinect’ Category

What we did at Lyst

July 11, 2016

Here are some of the things we tried at Lyst Summit – a game festival in Scandinavia dedicated to sex, romance and love. This year the festival was in Hamar in Norway sited in an extraordinary medieval museum park including a Cathedral preserved under glass and lots of wooden buildings.

lyst (34)

We gave a talk at the symposium about using ideas from Ethology to examine interactive art and game play. Despite the fact that we were the ones who couldn’t get our computer to talk to their computer, the talk went well and we raised a lot of weird fight / flight / sexual / attraction / repulsion ideas. We’re not academics so having the chance to focus a bit deeper on some of the themes surrounding our work is always helpful.

08

It was interesting to see the other talks and hear what concerns the Lyst attendees, who in general were a bit younger and cooler and (now) more European than us. Topics included things like the impossibility of finding your soul mate, using digital apps to enhance romance, polyamory, sexual re-readings of blockbusters, and LGBT aware video games.

lyst (25)

After the talks, there was an interactive session where about 6 groups shared their latest game creations, ranging from cock-fighting apps, VR films and boardgames. We showed a couple of interactives ‘Multiple’ and ‘Frog-virus’ with people simultaneously triggering both large scale projections. Feedback was great with people suggesting ways in which we could adapt the works so that they could breed their own creatures in apps. The general feeling we got was that developers don’t like  Kinect, which we can understand in a game making context – it just gets in the way. However in the context of shared public spaces there is still no better tool for interactive art.

The next day the game jam part of the festival began.

This time the game jam teams were put together by the organisers. We were paired with Alistair a game maker from the UK, who really impressed us with his coding skills and ability to quickly learn new languages and interfaces. Perhaps because we had a lot of tech equipment with us we spent a lot of time coding stuff when perhaps a simpler approach might have been more fruitful. Not having been to a game jam before we didn’t know what to expect and had prepared a lot of code bits which we thought we might use. The key idea was to use stretchy lycra screens and Kinect sensors to create full body physical sensual games. With the kinect we could monitor position of figures in front of the screen and the warping screen itself. With two projectors we wanted to try double sided projection and see how that could be used, which of course set up double shadows to deal with.

lyst (31)

We found getting the balance right between playing, testing and coding difficult. We are used to collaboration but maybe more with other artists, or members of the public, who are working with or against what we have set up. Starting from scratch with Alistair, we spent most of the first day re-coding stuff we had done before (or rather we got Alistair to re-code it!). In the end we had an apporximation of a Genetic Moo piece involving sperm and eggs and a loose kinect driven interaction. None of us liked it much although looking at the visuals now we can see some alien spaceship Giger type ideas.

grab

This was pretty frustrating because through the day we had experimented with some lovely visuals and effects but these didn’t seem to end up leading to a game idea – or maybe we just forgot about them in the rush to get something done.
These included a multi-layered piece which the player pushed through revealing deeper sensual layers – but it didn’t go anywhere game-wise. A rippling effect to a still image to bring it alive – but we couldn’t work out how to use this. We also liked the lizard skin tripe texture, and the combination of front and back projections.

lyst (32)

So not having got anywhere we decided to stay up late and try something different – however, in our case after about 4 hours coding we had just created something which was a kind of Genetic Moo version of an idea produced at last year’s Lyst. Another dead end.

hydra

So onto the second day. Alistair had also had a brainwave in the night and went off and produced a couple’s conversation game.

In the day we started again and broke everything back down to a simple symmetrical setup with two Kinects running the same program – just flipped left to right and color swapped. We played around with this for several hours, as a kind of sensual toy. So less of a game and more of a play space which we added sound to, and spawning effects. As both pieces were triggered by each other and the players’ actions, a gentle organic feedback loop was created.

lyst (2)

We christend the piece RGBW (W for Womb), and will definitely be looking to develop it further in the future. It seems a natural contender to be part of a Microworld. If we get to work in a low ceilinged wooden room again we will use multiple Lycra screens. The visuals created were simple, beautiful and enticing – we just have to work out how to make the experience more compelling and perhaps rewarding – useful lessons to be learned from game play mechanics.

lyst (15)

The last night was a big party with everyone playing each others games and just letting their hair down after an intense weekend of creativity. The resulting games were mostly in sketch-like states, several being thrown together on the final day. Apparently other people had difficulties in pulling it all together – so it wasn’t just us. There were dating apps, boardgames with rocks, video game promos, a weird extra-terrestrial translation service, a sophisticated electronic touch game, balancing games, and some ideas which were more provocations than finished product. Great variety.

We’d like to thank Patrick, Andrea and all the Lyst Summit team who were fun, organised and relaxed throughout. Lyst has introduced us to a new set of people whose passion for game making is matched by a determination to produce games which intimately and carefully affect their players. Despite our non-game game jam we will be thinking about how to form closer ties in the future to the indie game making community who seem so open to new interactive experiences.

Advertisements

Microworld : Arcadia @ Arcadecardiff

March 28, 2013

Genetic Moo are currently pulling together an exciting and very experimental exhibition Microworld : Arcadia.

We will working with a number of other artists, including Jockel Liess, Tine Bech, Paul Granjon, Sean Clark. We will also be hosting a range of events and workshops throughout the two weeks.

Click here for more details of the event and how to get involved.

bottom

Arcadecardiff Queens Arcade, Cardiff, CF10 2BY
21st May to 2nd June

Swimming with the Animacules

August 21, 2012

Just spent a great weekend at the Summer Sundae Weekender in Leicester.  Sean Clark of the Interact Gallery invited us to exhibit our multi-user, Kinect driven Animacules.  We were sited in the ‘Curiosity Corner’ zone in a Beduin tent! It turned out to be an excellent little exhibition space.  Lots of festival goers called in to look and play and it went down a storm with the kids, many coming back to (as they phrased it) go swimming with the creatures.

We also managed to get to quite a few gigs, the highlight being a brilliant set from the highly entertaining Mr Lydon and PIL.  What a performer!

Interactive kinect ants at Exploding Cinema’s 20th Birthday

November 6, 2011

Exploding Cinema held its 20th birthday event at Dogstar bar in Brixton. They asked the members to show a film of their choice mixed in with the best of the 20 years of shows. On the top floor we decided to project the first project we did with them as resident artists – the interactive ants piece called It’s Alive! – but we also added in a simple Kinect silhouette which we have been working with more recently. It was good to see two different inputs (the webcam and the Kinect) working together.

interactive  art kinect ant

We strung up a lycra screen about 4m across which looked like a spider’s web. The webcam got color information by looking at the short films and then used this information to seed a colony of pheremone crazy red and green ants.

interactive  art kinect ant

So for example below is the scary clown image from their screen.

interactive  art kinect ant

And then here is the effect it has on our screen – where the ghost of the clown is in blue, with the ants on top in red, magenta and green trails.

interactive  art kinect ant

The show was great fun. Happy 20th Birthday Exploding Cinema.

The Fly brings Kinect to Deptford X

September 27, 2011

The Fly is showing at Deptford X and has brought Kinect interactive art to the local audience. By moving in front of a screen full of disgusting flesh parts and animal organs the user can navigate a Kinect-driven avatar over the landscape – shifting the guts below its path.

This piece is a development from an earlier series of large scale tests we carried out at Glastonbury also using the Kinect.
We built the PVC screen ourselves at 2.4 * 1.8 m which gave the back projection a clean flat look, from the short throw projector.

We worked with sound artist Patricia Afari who generated a series of evocative sound effects to attached to the individual parts.

We are presenting The Fly again this weekend Friday 30th September and Saturday 1st October, upstairs at the Amersham Arms on the border of New Cross and Deptford.

Shangri-La virus @ Glastonbury 2011

June 29, 2011

We survived Glastonbury 2011 and brought our interactive art to thousands of late night punters in the Shangri-La zone – a Blade Runner inspired village of sex, drugs and drum and bass.

Animacules swarmed across the Slumbarave Metropolis Hotel which served as some sort of decontamination unit for the Shangri-La narrative.

We were given an interactive space in the tunnels and tested our latest Kinect installations on a continuous stream of revellers. The pieces that worked best were the ones where several people could interact at once using their silhouette to bounce around our mutated viral constructions.

As the DJs played through the night people danced away with the ‘antibody’ made from our body protuberances. Whenever we sat behind the back projection screen it was great fun to watch the variety of interactions and calls of delight and disgust. Mainly disgust.

Here’s a close up of what people had to contend with.

We also created a large-scale and small-scale version using the same graphics and Kinect interface. The large-scale version worked especially well with people floating (and attempting to steer) their way across a vast green mutated cosmos.

The small version (where the silhouettes were much larger than the body parts) was less interesting and people immediately treated it as a game, flapping their arms to keep the bits off the ground. Although the interaction here was more furious it was also more obvious – as every other Kinect game currently uses this style of batting shit around. We need to avoid the Kinect signature as we develop more work.

We even had a chance to test out some maggot Kinect crossbreeds, these are probably more suited for a calmer audience.

All in all we had a great time and learnt a lot about where we need to take these ideas in the future. We even managed to see a couple of bands. Thanks to James Waudby, Kevin and Lawrence of Astral Design Ltd for getting us on board. We’re looking forward to working with them again, developing large-scale interactive installations.